This
coming friday we leave Popps Packing. It's been a month now that we
have stayed in this artist in residence and it got us thinking about
the significance of the house as an art project.
I
shall begin to describe our experience in Popps, that is where it
began for us. Faina and Graem, Detroit artists and partners, have
bought this meatpacking facility around nine years ago. They
transformed it into a lot of things: a home, a gallery, a studio, a
workshop, a guest house, a garden, a community cultural centre. This
setup enables them and the residents to integrate art into daily
life. It would have been totally different to stay for a month in
some rented room. More secluded, the experience more into ' thinking'
then into 'doing'. For us it feels good that we can do
something. Building this chicken coop for Popps is our way of saying
thanks and also a way to burn excess energy and 'construction
building emotions'. I don't think either of us would be able to only
observe, talk and write for a month.
But
Faina and Graem are not the only ones transforming their home into a
place for art. We have seen numerous examples, in all different
disciplines, of people feeling the need to host some kind of cultural
function. Do they tend to a need of 'the public' for a communal space?
Do they want to create more cultural connections within their
neighborhood? Or do they just want to make the house 'look nicer' and
tend to their own need of expressing themselves?
One
example of personal expression is Hamtramck Disneyland. It was built
by an older gentleman who at some point started to paint on objects
and placed them in his backyard. It grew and grew into this crazy
installation with all kinds of texts that he wrote on it. Reading
them, it gave me the idea that this fellow was dealing with some kind
of personal struggle and thus retreated to happy shapes and colors
connected to childhood. However, that's just my interpretation, the
creator has passed away now. Most important is, that it started as
this personal initiative. But when the installation began growing
into the ally, it became known and is now a public attraction.
Another
often seen example in all different sizes and shapes, is a public
cultural space of which the outside is decorated in relation to its
function. One totally engulfing its environment like an advertisement
gone berserk, is The African Bead Museum. Imagine Catharina Grosse
doing one of her spray paint pieces on a Detroit house. That would be
twice the same thing: demolishing the house with her gesture even
more. Although the artist who created his Bead Museum also covered a
house with his art, he did it in a totally different way. More like a
renovation, lovingly covering all of it with his art, making it more
that just a decoration. A long process instead of a swift gesture. Though visiting it a second time, we would like to recommend him to keep going! It's not enough yet to be truly conquering.
He
started out decorating his house with paintings and mirrors.
Receiving no protest from anyone, he proceeded covering everything
around the first house, including the remains of a burned down
building. The first time we visited it at night. The enormous amount
of mirrors reflected the city lights, the rest were dark mysterious
shapes. It reminded me of ancient african rituals, but then combined
with this urban thing; strange and attractive. During the day, the
artist who created all this over the course of years, sells and shows
african beads. So the outside might have a personal expressive
nature, it does tell you something about what happens inside and the
cultural function of the house.
Again,
there are numerous examples, to many to write about now, but here
is one more.
In Hamtramck there are some houses with special names. The idea of these 'special houses' came from artist couple Mitch and Gina who felt that what their neighborhood needed was to be able to come together. They commissioned artists from Detroit to come up with a plan to transform and old abandoned house into a public artwork in which a certain activity could take place. This is still a major work in process. So there is or will be things like a public art library, a music house and stage for theatre and music events, and the one that we visited: the squash house. Squash is explained here as both the plant and the sport. The house, once domestic property that partially went up in flames and was abandoned, is being rebuilt into an indoor squash hall (and other related sports) and a greenhouse where squash can be produced. This house is becoming a work of art, but in contrast to other examples, not with rich decorations. All shapes are both functional as sculptural. The results that we have seen so far holds a promise of being impressive when finished.
In Hamtramck there are some houses with special names. The idea of these 'special houses' came from artist couple Mitch and Gina who felt that what their neighborhood needed was to be able to come together. They commissioned artists from Detroit to come up with a plan to transform and old abandoned house into a public artwork in which a certain activity could take place. This is still a major work in process. So there is or will be things like a public art library, a music house and stage for theatre and music events, and the one that we visited: the squash house. Squash is explained here as both the plant and the sport. The house, once domestic property that partially went up in flames and was abandoned, is being rebuilt into an indoor squash hall (and other related sports) and a greenhouse where squash can be produced. This house is becoming a work of art, but in contrast to other examples, not with rich decorations. All shapes are both functional as sculptural. The results that we have seen so far holds a promise of being impressive when finished.
This
thought: the house as a sculpture, is something to bring with us to
the Netherlands. It intrigues us. It is a form of art which is not
exclusive. You can walk by it, see it any time, use it, without
having to pay a ticket or walk into this 'temple for art'. These
house are a part of the street, in contrast to a white gallery space
which could be located anywhere, these houses are extremely specific.
Also they have a public function, which means they actively invite
all people to come in. These art houses integrate in their
environment instead of being a lonely and closed art planet somewhere, anywhere.