Nikos Doulos Joao Evangelista
17.10.10 17:00 bus departure at Theater Kikker
( limited capacity)
Expodium’s participation in the Impakt Festival was a commissioned, progress-based work on ‘shrinking cities and emerging strategies’, carried out in a collaboration with the artists Nikos Doulos (Greece) and João Evangelista (Portugal) during a period of 64 days in Detroit.
The event revolved around the traces and marks left on the artists during their residency by means of a modular narrative in stations. Spectators were encouraged to envision the urban landscape in a process of arrivals and departures, an archive of impressions and stories.
An old American school bus took the audience out of the center of Utrecht to Hofstede, a preserved monument - farm, built next to the upcoming center of Leidsche Rijn.
First stop took place at Expodium, where people got confronted with the Visual Archive and were given twenty minutes to dive into it.
The visit to the farm consisted of scripted narratives performed on predefined locations/stations.
The discontinuity in the form of our narratives, shifting from here (Leidsche Rijn) to there (Detroit) and vice versa, served the purpose of highlighting the bypolarity in the co-existence of the urban and the rural, growth and shrinkage, Detroit and the Netherlands. What became of great importance to us was pointing out the need for a collective creative response towards the transitional nature of contemporary urban surroundings.
The city doesn't need artists. it needs persons who can respond creatively to life.
Erin Moran Martinez
first page of the tour script after rehearsal in the rain.
FILTER DETROIT is the little sister of FILTER; a platform for international contemporary art and culture.
FILTER DETROIT researches structural and cultural processes of transformation in the urban landscape of Detroit. FILTER DETROIT is a research residence for artists and cultural producers and makers from Detroit and outside of Detroit.
FILTER DETROIT collaborates with Detroit’s cultural institutions and initiatives as well as internationally.
FILTER DETROIT is building up a living archive, a constantly transforming archive of information, documentation, knowledge, activity and space about urban interventions as well as social and artistic movements in Detroit and particularly on Moran Street in Detroit.
We got introduced to Kerstin Niemann by Luc and Bart, during our first visit to the Filter house in Moran Street.
After her invitation to contribute to the "live archive" of FILTER DETROIT, we started investigating what we could leave behind that would function as a manual for upcoming visitors and additionally work as a voice for all of the people we had encountered.
We therefore invited everyone we met to respond to the question of "how did you perceive our visit to Detroit".
For the last couple of years the city has become the center of attention for many social engaged artists and initiatives worldwide.
Attached to this letter you will find a series of contributions from the people we had encountered during our stay in Detroit. These following pages are the voice of a few. A few who are living and leaving, who belong and don't belong, a few who we have met in the 64 days spent in the city of Detroit.
We were here as the first artists in a residency initiated by Expodium Platform Voor Jonge Kunst (NL), 555 Gallery (US) and THE YES FARM (US).
As a response to the invitation of Kerstin to contribute to the living archive of the Filter Project, we decided to mediate what those that live here have thought, felt, believed, misunderstood, denied, accepted, dealt with and resolved, with our ephemeral stay.
We are aware that Detroit is not a blank canvas - that its inhabitants are fully capable of raising a critical voice and acting on matters imposed to their everyday lives. We asked the basic question of how do you perceive our temporary living in your community.
This passing through that promised only to deliver a gaze from an accidental tourist - a concerned one, a caring one, one under the weight of an ethics of the encounter with the other. Detroit’s past and its eminent future, with a complex present, filled with life and death, reveals a present cycle that promises so many potentialities. One cannot but dwell in daydreaming, a very hopeful dream.
In between illusion and delusion, in between the portrayal of Detroit as the post-industrial dystopia and Alice's Wonderland where every artists dream is possible, we found ourselves living with these people, and now we find ourselves leaving these people.
These contributions give a small but significant input to the problems of ephemeral living and practices of numerous visitors (artists, researchers, theoreticians etc.) in the Detroit area.
We put trust on people’s choice to express themselves through actions rather than words, through closed verbal encounters rather than public written contributions.
Therefore our call found place only within the ones who chose to formulate their opinions in that specific manner. Most of them chose the former rather than the later, but we feel strongly about maintaining that “literate” silence.
All contributions are placed unfiltered and unedited and should be treated with great respect in regards to each author.
We claim no authorship to the material and we expect any appropriation or use to occur under the full agreement of all the contributors. Whether you are a visitor or an inhabitant of the city, we invite you to flip through it, read carefully or discard it. We hope you have a fruitful stay and pleasant living.
Wishing you all the best,
Nikos Doulos & João Evangelista
Nikos Doulos Joao Evangelista
1.10.10 - 29.10.10
Detroit's situation can be read as a visual manifestation of the new post-industrial city, a hybrid of a paradoxical alignment of the urdan and the rural, taking place in a single geographical frame, wrapped in a mediatic representation caught between delusion and illusion between " ruin porn" photography and the idea of a safe haven for artist.
The city displays far more complex signals that constitute the begging of a whole new attempt towards gentrification process, suggesting the rebirth of Detroit into a city of the future.
Station #1: Visual Translation- Archive of Impression
The exhibition is a visual amalgam of the one-month "translation process" the artists have undergone since their arrival back in the Netherlands. The gallery becomes a sight where a narrative of images is composed assisted by a script of factual and subjective subtitles.
You are confronted with a series of images - a visual archive - an archive of impression.
Think of them as stills of a movie. A movie that is open ended and has multiple narratives for you to explore.
You are given its script and your choice of movements will animate it.